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Photographer's Note

I started shooting a lot of these kinds of compositions, with three light levels: daylight, ambient and shadow. There is a kind of art to this: you meter the outer light, then open a couple of stops to bring out details in the ambient areas, adn then remember that everything else is giong to fall to black, even if you can see it in reality. It is over-dramatic, but I really enjoy these kinds of results.

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