Photographer's Note
It therefore should be possible for even the photographer - just as for the creative poet or painter - to use the object as a stepping stone to a realm of meaning completely beyond itself. - Clarence John Laughlin
I attempt, through much of my work, to animate all things—even so-called “inanimate” objects--with the spirit of man. I have come, by degrees, to realize that this extremely animistic projection rises, ultimately, from my profound fear and disquiet over the accelerating mechanization of man’s life; and the resulting attempts to stamp out individuality in all spheres of man’s activity--this whole process being one of the dominant expressions of our military-industrial society. The creative photographer sets free the human contents of objects; and imparts humanity to the inhuman world around him. - Clarence John Laughlin
Clarence John Laughlin (1905 - 2 January 1985) was an American photographer best known for his surrealist photographs of the U.S. South.
Laughlin was born in to a middle class family in Lake Charles, Louisiana. His rocky childhood, southern heritage, and interest in literature influenced his work greatly. After losing everything in a failed rice-growing venture in 1910, his family was forced to relocate to New Orleans where Laughlin's father found work in a factory. Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature and whose death in 1918 devastated his son......etc...W....http://en.wikipedia.org/wiki/Clarence_John_Laughlin
Critiques | Translate
chewy_candy674
(471) 2012-07-04 19:16
Hello Georgios,
i like the composition and the eyecatching color, also beautiful reflection looks so real
bst rgds,
Mona
tyro
(30513) 2012-07-05 0:08
Hello Georgios,
You have given us two things here: a very interesting and informative note, especially about Laughlin (I must do some research about him!), and a wonderfully intriguing and fascinating picture to examine!
The composition is wonderful, the bright red boat and its reflection sitting perfectly in the frame, tethered into the picture by its bow rope with some wonderful reflections of another boat on the left and even some of the area beneath the boats visible through the water.
But, and if that were not enough, we then spy the image of a silvery and ghostly hand holding the hilt of a dagger, just plunged into the water! And, of course, our brains work to and forth busily trying to figure out what curious object above is responsible for this curious reflection! I suspect we can stare at this one for hours and still not find the answer: are you going to tell us or do we have to keep on guessing?
As with all photography, observation is the keynote and you have certainly used that skill to the utmost here. Very well seen and very well taken!
Fabulous!
Kind Regards,
John.
annjackman
(23019) 2012-07-05 0:22
Hello Georgios,
An enigmatic image that asks questions. The disembodied hand is curious. A super composition with lovely flowing shapes and interesting colours.
Regards, Ann
jlbrthnn
(76043) 2012-07-05 8:00
Hello Georgios,
The picture is skillfully composed. The eye is drawn to this enigmatic thing right, hand and a knife in fact, amazing. The quality is excellent. Bravo.
Have a nice day
Cordially
Joël
ChrisJ
(171172) 2012-07-06 3:36
Hello Georgios,
Another superb harbourside shot of the boats, & again with this fantastic warm cold colour contrast between the red & blue colors. Beautiful rippled patterns in the water to enliven the nice reflections. The silver at left resembles a gloved hand! Tfs!
Photo Information
-
Copyright: Georgios Topas (TopGeo)
(38220)
- Genre: Lugares
- Medium: Color
- Date Taken: 2012-06-23
- Categories: Vida cotidiana, Naturaleza, Transportes, Momento Irrepetible
- Camera: Canon EOS450D, Canon 18-55 mm EF-S, Polarizer Hoya 62 mm
- Exposición: f/8, 1/30 segundos
- More Photo Info: view
- Versión de la foto: Versión original
- Tema(s): Amaliapolis village, Thoughts about potography [view contributor(s)]
- Date Submitted: 2012-07-04 13:52
Discussions
- To tyro: human imagination (1)
by TopGeo, last updated 2012-07-05 12:52